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Works on skin - FLIGHT 1

Olga Hohmann

Olga Hohmann

njoy

Price is exclusive of VAT and shipping. The contribution to the artists' social security fund (KSK) of 2.5% of the net price is also part of the gross price.

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Context

Hohmann found the graffiti during Art Basel in 2024 and took a photo from the opposite window. She consciously chose something that is “for free”, found in public space - as this project is in her eyes a contemplation about the value of artworks. Graffiti culture and tattoo culture have similarities in this way. The one-word-sentence is so generic, so seemingly naive/shallow and superficial and her favorite kinds of tattoos are the superficial ones as skin is a surface, too. It develops a depth particularly in embracing the superficiality, which carries a certain brutality, too: Because, as Slavoj Žižek writes (referring back to Jacques Lacan): One of the most brutal commandments of capitalism is the imperative to enjoy. People do suffer from knowing that they are forced to “njoy”.

Instructions

“Es lebe, es sterbe: Der Imperativ zu genießen!”

  • Colour

    free

  • Position

    free

  • Scalable

    yes

About Olga Hohmann

(*1992) Olga was supposed to be born in her home in Berlin-Kreuzberg, where she still lives. Instead, she was born six weeks early, when her parents were doing a trip to Neuruppin in Brandenburg, for the first time - “last vacation without child, first one to former GDR”. Her mother’s water broke while she was collecting mushrooms in the forest near the lake.

Olga studied theatre directing at the Ernst Busch Academy of Dramatic Arts in Berlin and fine arts at the Piet Zwart Institute in Rotterdam. ‘Her poetic, often musically accompanied lecture performances have aspects of ritual and salon culture,’ writes Korbinian Verlag. Her most recent book was “The devil lives in your right eye”.

Fun fact

FAZ journalist Niklas Maak recently wrote that she belongs to “a new generation of female artists who find forms of expression for the present beyond the boundaries of genre” … “Olga Hohman is at the same time the most invisible and most widely discussed phenomenon in Berlin”.